Sunday, May 29, 2005

Going Exponential

The concept of 'the singularity' - the point in time where the exponential growth of knowledge and scientific understanding becomes so far-reaching in its consequences that humanity as we know it goes through a fundamental change - kind of like a phase transition - is quite fascinating. The idea that the exponential improvement that we have seen in semiconductor technology, communication infrastructure, biotech and in-vivo imaging like MRI and PET scans will propel exponential improvements in research in neuroscience seems pretty compelling. It seems reasonable to expect that the understanding of how the brain works at a cellular level as well as at a modular level will naturally lead to true artificial intelligence. And that, once we understand how to create machines that can reason, learn, and improve upon their own design, machine and human co-evolution will also go exponential.
This application of neuroscience and computer science to understanding and modelling human perception, feeling and experience - the core of what it is to be human - totally intrigues me. It offers an interesting perspective on the world. I hope that what will happen is that humanity will realize its close bonds with the animals we have evolved along side of; we are kindred in the fluid grace of being that comes from evolving together, sharing the ecosystem and building off of the same set of 'discovered patterns' that have been proven to work through the ages and are written into our shared DNA. It seems, however, that as we integrate more and more completely with our machines, we are increasingly losing touch with the natural world, and are carelessly wiping out much of our natural heritage in the process.
So what does all of this have to do with music?? I guess it's kicked off some kind of emotional / intellectual reaction in me that engages both the rational and creative sides of my brain, and that often gets expressed musically for some reason. Don't really understand the 'why' behind it at all. All I know is that it is compelling, intriguing, fascinating and, really, that's enough.
Discovering lots of metaphors in the music. The intro starts with the human voice, and this is soon accompanied by a flanged 'machine noise' that builds up in intensity exponentially until -- BOOM -- you're into the first verse. Another metaphor is the morphing of the human voice into machine sounds. Also the reflection of the lyrics ('Science and tech, like a supersonic jet') in the soundscape where the flanged noise sounds like a jet taking off and going through a sonic boom. And the musical chaos as the song hits the 'singularity' point of the solo. Tons of fun! More to come.

Saturday, May 28, 2005

Phasers on Flange

First cut at sketching out the intro + first verse: DreamingInTechnicolor-FutureShock.mp3 (1.4MB, 1:30)
For the intro, stripped it down to an echoed piano line on top of an 'ethereal vocal' line with echo and heavy flanging. Then mixed it with a VL70m voice (Cyberstring - how can you NOT use a voice named 'Cyberstring' for this song???) going through the MPX110 DreamSequence effect and then heavily flanged it to create a sound like some jet engine, ramping from nothing up to a sonic boom.
For the first verse, vocals are mainly an attempt to establish a melody line at this point. Starting to sketch out ideas for the chorus as well. Drum line isn't as good as the previous version, but the tempo feels a lot better for the lyrics.

Wednesday, May 25, 2005

Future Shock

Turns out that, at 100 beats per minute (bpm), the music is WAY too slow for the lyrics - needs to be at least 133 bpm to have any kind of energy. Unfortunately just speeding up the music is not a solution - loses the groove. Tried various tricks to change tempos or overlay 133.3 bpm lyrics over a 100bpm drum track but nothing worked very well. At this point the music needs to be rebuilt around the vocal line, so I've been recording some vocal tracks and trying to find a new, faster, edgier, tougher sound to go with it. Also figured the term 'singularity' was way too technical - don't want to have to provide a FAQ with the lyrics - so I've been reworking the chorus by riffing on the idea of 'future shock'. Latest lyrics are here.

Wednesday, May 18, 2005

Ground Zero

When you put a Yamaha VL70m voice called "the Matrix" through a Lexicon MPX110 patch called "Dream Sequence" and shake well, you get some wild power thing like this (280KB, 0:16). Mix it liberally with science and sci-fi concepts, vocal pads, flanges, and jazzed out drums, and things start getting interesting (1.8MB, 1:56). Tons of work left to do. Like figure out how to fit the first rough draft of the Lyrics to the music:


Science and Tech
like a supersonic jet
going so damn fast
get the best of us yet
'cause it's hit the power curve
yeah, it's hit the nervous system
growing exponentially wilder
mixing cyber and gene
the post-human machine
evolution hits the super collider

Singularity
Singularity
here it comes

Can't reflect on the past
too much happening too fast
somehow next week feels like next year
not a worry, have no fear
'cause the objects in the mirror
are no longer closer than they appear

Singularity
Singularity
here we go
going out of control
as the rate of change goes vertical
[Solo]

And it feels so surreal
there's no driver at the wheel
we learn so fast except from history
As we watch, will all our dreams
come apart right at the seams
or take supersonic flight and set us free?

Singularity
here it comes
Singularity
here it comes
Singularity
here it comes




http://www.dreamingintechnicolor.com